I moved on from The Leopold and lucked into a vegan counter service restaurant called Venuss. This place was awesome. The prices, portions, and quality were all just right. I got up to the register and learned that they do a 60% discount after 6 pm! What a find.
After my first round, I ran it back with another serving of Viennese dumplings, goulash, and beer. I enjoyed a nice chat with a German woman who was in Vienna for her work in hospitality. I declined her invitation for dessert at Venuss and instead went back to Veganista for two more scoops of their ice cream: one basil and one chocolate banana. I’m nothing if not a loyal customer.
I walked around Vienna’s neighborhoods as I made my way back to the hostel. On the way, I heard an irresistible sound: a basketball being dribbled. Like a dog on his favorite scent, I walked toward the noise. Things were hopping and bopping. Food vendors, a live Q&A session, and, most importantly, people were playing pickup basketball.
I stopped and played for a few games. 3-on-3 with one Austrian and three recent American college grads from the UCs and UW. It felt good and terrible to play. Good because I was playing basketball again. Bad because Ireland’s complete lack of basketball has me way out of practice. Anyways, a few wins and many missed layups later and it was time to call it a night.
Tomorrow it’s on to Bratislava, Slovakia where Abby and I will reunite for the weekend.
I’ve been excited about this day for a while so after delicious baked goods from Omas Backstube, I walked to the museum and waited with anticipation for it to open. The Leopold is ground zero for the legal dispute over the Schiele painting Portrait of Wally, which is housed there. It also has the largest collection of Schiele paintings anywhere in the world.
What a fantastic museum. I saw art by artists I’ve never seen or paid attention to before such as Max Oppenheimer, Albert Birkle, Rudolf Wacker, Oskar Kokoschka, Olga Wisinger-Florian, Edmund Kalb, Peter Altenberg, Richard Englander, Hans Kelsen, Rosa Mayreder, Martin Buber, Käthe Leichter, and Koloman Moser.
I wrote observations in my journal on what I saw but I’ll spare you most them.
By the time I finished the Edmund Kalb exhibition it was 12:36 pm and time for lunch so I walked up to the museum restaurant on Floor 2. First order of business: espresso. Second? A tofu Japanese curry, what else?
After lunch, it was back to the art. I’d saved the best for last. I felt trepidatious walking to the Schiele rooms, as though I needed the art’s approval instead of the other way around. I savored every second in these rooms and looked through each at least twice.
As the meandering looks from the museum staff turned from bored to hostile I sensed that The Leopold was closing. ‘I don’t want this to be over,’ I thought. I felt at once satisfied and melancholic. Until yesterday, I had only seen one-off pieces of Schiele’s work. A couple of paintings at the Neue Galerie in New York and that was about it. Then in just two afternoons, I’d seen almost all of his publicly exhibited work, from years of anticipation to completion in under 48 hours. It was an experience I won’t soon forget. Schiele was 28 years old when he died—my age now—and he painted enough high-quality art to reverberate across generations and bring joy to people like me.
I’ll treasure my day at The Leopold for as long as I remember it.
When I stopped to throw away an empty bag yesterday I noticed a map. On it, I saw that the Egon Schiele Museum was nearby. This was great news! If I had to pick a favorite artist, Schiele’d be the one so I headed for the museum this morning.
It didn’t open until 10 am, so once I reached Tulln (Schiele’s birthplace) I stopped for some coffee and too many baked goods: one nut bread, one apple pastry, and one poppy seed roll to ensure that I’d feel sick.
I spent about two hours at the Schiele Museum. It’s a gem, a small space with one room full of 13 paintings by Schiele from between 1905 to 1907 when he was about 15 to 18 years old.
The Schiele Museum is unique because its paintings aren’t in the style one imagines when one thinks of Schiele (assuming one thinks of him and his art at all)—no spindly limbs or tortured poses. All but one of the paintings look as though they could have been painted by someone else. A forest landscape in the gallery is the only piece in which there are any hints as to what his art would become.
After going upstairs through the secondary exhibition on Schiele’s life, which I highly recommend—they’ve filmed a bunch of interviews with experts on his life and art—I stopped at a riverside food shack outside of Vienna for a veg platter full of halloumi and grilled veggies plus some good beer. Today’s ride was easy going without hills, heat, and just a little rain.
The ride into Vienna is an urban cyclist’s dream. There are fully protected bike bridges and lanes that plopped me right into the city zentrum. From the center, I cycled onto the medieval ring road that’s been turned into a protected bike lane. I zipped around to the parks, monuments, and past the museums. It is the best way to see Vienna. While riding the ring road I tried to imagine how medieval Austrian’s would react to learning that the wall separating them from oblivion had been turned into a bike lane. I settled on, “Bike lane? Vut is a bike?”
I snagged a nice hostel in the Leopoldstadt neighborhood for 24eur. After unpacking my stuff I rode back out into the city for dinner at the Beaver Brewing Co. where I ordered a beer sampler and the seitan burger with seaweed salad and guac. An unexpectedly good combo.
After dinner, I crossed the street to Veganista. My favorite ice cream shop in Vienna. One scoop of cookies and cream in a waffle cone, please.
Just when I thought it couldn’t get any better I found 15eur on the ground.
If you’re visiting Vienna and find yourself in the Leopoldstadt neighborhood then you simply have to take a walk around the Augarten park. Augarten is adjacent to an old porcelain factory. The grounds have what appear to be decaying water towers juxtaposed with meticulously manicured gardens. The lighting in Augarten during a summer evening is straight off of the Lion King VHS sleeve.
Tomorrow is a rest day in Vienna. I’m going to the Leopold Museum and I could not be more excited. A course I took spent a good deal of time discussing the Leopold collection and its implications on the recovery of Nazi loot. The Leopold houses the world’s largest collection of Schiele’s work too; so, there is lot’s to see and think about there. I can’t wait.